Tide, Millennium and Disposable were the first works by
Stuart Haygarth that I experienced in the flesh. Sitting in the Cassina showroom in
Paris, these works clearly illustrated Stuart's knack to turn junk to gems in an elegant comment on waste. Created from the bottoms of plastic water
bottles collected from
London's Stansted Airport,
Drop (pictured) is another prescient comment on disposable culture and the use of resources all wrapped in beauty. Simple, yet effective.
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